The only other color of cars described in the valley of ashes is gray (Fitzgerald 27). It’s as if death were driving by and laughing with his knowledge of the dark future for Gatsby’s car, and for Gatsby. On this bridge, any number of different types of cars could have driven by, but a hearse and a black limousine were chosen to help maintain Fitzgerald’s use of cars as a symbol. I laughed aloud as the yolks of their eyeballs rolled towards us in haughty rivalry. As we crossed Black Wells Island a limousine passed us, driven by a white chauffeur, in which sat three modish Negroes, two bucks and a girl. The friends looked out at us with the tragic eyes and short upper lips of south-eastern Europe and I was glad the sight of Gatsby’s splendid car was included in their somber holiday. This paragraph in the book is very dark, and it helps set the awful mood for the rest of the book.Ī dead man passed us in a hearse heaped with blooms, followed by two carriages with drawn blinds and by more cheerful carriages for friends. The dead man wentĪn incidence of this is when Nick and Gatsby are driving over the Queensboro Bridge on their way to the valley of ashes. Fitzgerald deliberately chose to put the words drove, implying cars, and death, together. A line from the book that really drives this home is, “So we drove on toward death through the cooling twilight” (Fitzgerald 143). Throughout the book, there are many devastating and dark events that these cars represent. One of the most important jobs of cars in this book is to foreshadow upcoming events. Cars also give the reader insight into some of the different characters in the book. “…cars change their meaning and become a symbol of death” (Dexheimer). The Great Gatsby is a very dark, unhappy book, and the cars really exemplify this. Cars play a very important part in the telling of The Great Gatsby.